‘There is such unrest in the world now, I think it’s important to start helping where we can’
‘There is such unrest in the world now, I think it’s important to start helping...

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A family mediator breaks down the financial jeopardy of divorce
A family mediator breaks down the financial jeopardy of divorce

Michelle Browne

This sprawling Foxrock home is on the market for €6.75 million
This sprawling Foxrock home is on the market for €6.75 million

Sarah Finnan

This Sandymount home is full of rich colour and clever storage solutions
This Sandymount home is full of rich colour and clever storage solutions

Megan Burns

9 great events happening around Ireland this weekend
9 great events happening around Ireland this weekend

Sarah Gill

Strategies to tackle workplace energy slumps
Strategies to tackle workplace energy slumps

Victoria Stokes

Why don’t women see themselves as leaders, even when they are?
Why don’t women see themselves as leaders, even when they are?

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Social Pictures: The 39th Cúirt International Festival of Literature launch
Social Pictures: The 39th Cúirt International Festival of Literature launch

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‘There’s a claustrophobia within a love sustained by friendship and respect’
‘There’s a claustrophobia within a love sustained by friendship and respect’

Sarah Gill

My Life in Culture: Media and Communication Studies lecturer Dr. Susan Liddy
My Life in Culture: Media and Communication Studies lecturer Dr. Susan Liddy

Sarah Finnan

Image / Editorial

What Maisie Knew


By Bill O'Sullivan
02nd Sep 2013
What Maisie Knew

What Maisie Knew has the difficult task of capturing the disintegration of the family unit as seen through the eyes of the child at the centre of it. Julianne Moore uncharacteristically plays a dislikable character in the figure of the mother – a semi washed-up rockstar who alternately love-bombs and neglects her daughter, abandoning her at a bar late at night to then buy her an electric guitar at the following encounter.

maisieThe father, played by a surprising Steve Coogan, is possibly an even less redeeming character, caught between the inability to connect with his child and the reality of being too self-involved to do so. Filmed from Maisie’s perspective, played by the precociously talented child-actor Onata Aprile, it captures the readjustments that are commonplace in a relationship breakdown, but that assume heart-breaking magnitude when seen through the eyes of the child. The film is based on the Henry James novel, from which it lifts its central trope, revolving the action around an omniscient but silent party, who understands and yet does not communicate the complexity of what she is witnessing. Whilst it gives the Hollywood treatment to James’s nuanced and sinister story, it’s a clever and beautiful movie with flawless central performances.

Roisin Agnew @Roxeenna