Sea swimming essentials every first-timer should have on their list
Sea swimming essentials every first-timer should have on their list

Sarah Finnan

Calling all biscuit lovers! We’re giving away a hamper of Maltesers biscuits
Calling all biscuit lovers! We’re giving away a hamper of Maltesers biscuits

Lauren Heskin

Would you tell a friend if they’d gone overboard with Botox or fillers?
Would you tell a friend if they’d gone overboard with Botox or fillers?

Amanda Cassidy

What to make this weekend: A grown-up ice-cream sundae
What to make this weekend: A grown-up ice-cream sundae

Meg Walker

How to stop procrastinating what you know you have to face
How to stop procrastinating what you know you have to face

Niamh Ennis

Step off the hamster wheel of dieting: an in-depth guide to intuitive eating
Step off the hamster wheel of dieting: an in-depth guide to intuitive eating

Melanie Morris

Ouai x Byredo is back with more scented haircare
Ouai x Byredo is back with more scented haircare

Holly O'Neill

This recently renovated Ranelagh home is on the market for €1.25 million
This recently renovated Ranelagh home is on the market for €1.25 million

Megan Burns

Considering getting hitched at home? Two couples on their at-home weddings
Considering getting hitched at home? Two couples on their at-home weddings

Lizzie Gore-Grimes

With soon-to-be-three salons, a beauty brand and a little one at home, Kate Verling of Mink Hand and Foot Spa on mastering multitasking
With soon-to-be-three salons, a beauty brand and a little one at home, Kate Verling of...

Lauren Heskin

Image / Editorial

Richard Mosse


by Bill O'Sullivan
05th Feb 2014
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Richard Mosse was something of the 2013 child wonder after representing Ireland at the Venice Biennale with The Enclave. It’s now on show for the first time in Ireland at the RHA til March 12th. The collection of near-iconic images were taken in 2012 by Mosse and his colleagues Ben Frost and Trevor Tweeten, who infiltrated rebel groups in the war-torn Democratic Republic of Congo. Ravaged by conflict and pervasive violence, Mosse uses his subject to try to reimagine war photography. richard-mosse-infra-series-3Using a discontinued infrared film originally used on camouflage, Mosse’s photographs offset landscape and people in brilliant pinks, magentas and lilacs. War-torn Congo here seems an imagined land of distant and unworldly violence whose poetry soaks through the lens in ultraviolet colour.

Roisin Agnew @Roxeenna

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