The weekend shopping fix: cozy candles, outdoor furniture, summer dresses and more
The weekend shopping fix: cozy candles, outdoor furniture, summer dresses and more

Holly O'Neill

Five minute’s with Longford spoken word artist Felispeaks
Five minute’s with Longford spoken word artist Felispeaks

Lauren Heskin

Freshen up your bedroom with our pick of sheets, from earthy and rustic to crisp and clean
Freshen up your bedroom with our pick of sheets, from earthy and rustic to crisp...

Megan Burns

What to do if you feel like you’re on the verge of burnout
What to do if you feel like you’re on the verge of burnout

IMAGE

Does anyone actually enjoy office Zoom drinks? The experts weigh in on alternatives
Does anyone actually enjoy office Zoom drinks? The experts weigh in on alternatives

Filomena Kaguako

Wild Mountain Thyme: ‘Begorra begosh Americans! Good luck and goodbye’
Wild Mountain Thyme: ‘Begorra begosh Americans! Good luck and goodbye’

Edaein OConnell

The unexpected benefit lockdown is having on our children
The unexpected benefit lockdown is having on our children

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Image / Editorial

Richard Mosse


by Bill O'Sullivan
05th Feb 2014
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Richard Mosse was something of the 2013 child wonder after representing Ireland at the Venice Biennale with The Enclave. It’s now on show for the first time in Ireland at the RHA til March 12th. The collection of near-iconic images were taken in 2012 by Mosse and his colleagues Ben Frost and Trevor Tweeten, who infiltrated rebel groups in the war-torn Democratic Republic of Congo. Ravaged by conflict and pervasive violence, Mosse uses his subject to try to reimagine war photography. richard-mosse-infra-series-3Using a discontinued infrared film originally used on camouflage, Mosse’s photographs offset landscape and people in brilliant pinks, magentas and lilacs. War-torn Congo here seems an imagined land of distant and unworldly violence whose poetry soaks through the lens in ultraviolet colour.

Roisin Agnew @Roxeenna

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