A stylist’s guide to mixing vintage and modern fashion finds
A stylist’s guide to mixing vintage and modern fashion finds

Sarah Finnan

WIN a 9ct gold T-Bar pendant necklace from Gear Jewellers worth €250
WIN a 9ct gold T-Bar pendant necklace from Gear Jewellers worth €250

Edaein OConnell

Join our networking event: ‘Building a Business: The Real-Life Path to Success’ in Galway
Join our networking event: ‘Building a Business: The Real-Life Path to Success’ in Galway

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Join our networking event: ‘Building a Business: The Real-Life Path to Success’ in Galway
Join our networking event: ‘Building a Business: The Real-Life Path to Success’ in Galway

IMAGE

Meet Emily Jean O’Byrne, the Irish designer dressing Ballerina Farm
Meet Emily Jean O’Byrne, the Irish designer dressing Ballerina Farm

Ruth O'Connor

Caolum McCabe: ‘It’s incredibly challenging to resist the pull of relocating to cities such as London’
Caolum McCabe: ‘It’s incredibly challenging to resist the pull of relocating to cities such as...

Sarah Finnan

The best events happening around Ireland this Valentine’s weekend
The best events happening around Ireland this Valentine’s weekend

Sarah Gill

An Irish stylist’s guide to Copenhagen Fashion Week
An Irish stylist’s guide to Copenhagen Fashion Week

Kara O'Sullivan

The financial red flags to watch out for in relationships
The financial red flags to watch out for in relationships

Sarah Gill

Jeanette Madsen and Thora Valdimars on Rotate’s next steps
Jeanette Madsen and Thora Valdimars on Rotate’s next steps

Corina Gaffey

Image / Editorial

Richard Mosse


By Bill O'Sullivan
05th Feb 2014
Richard Mosse

Richard Mosse was something of the 2013 child wonder after representing Ireland at the Venice Biennale with The Enclave. It’s now on show for the first time in Ireland at the RHA til March 12th. The collection of near-iconic images were taken in 2012 by Mosse and his colleagues Ben Frost and Trevor Tweeten, who infiltrated rebel groups in the war-torn Democratic Republic of Congo. Ravaged by conflict and pervasive violence, Mosse uses his subject to try to reimagine war photography. richard-mosse-infra-series-3Using a discontinued infrared film originally used on camouflage, Mosse’s photographs offset landscape and people in brilliant pinks, magentas and lilacs. War-torn Congo here seems an imagined land of distant and unworldly violence whose poetry soaks through the lens in ultraviolet colour.

Roisin Agnew @Roxeenna