The Irish-led films that premiered at Cannes Film Festival
The Irish-led films that premiered at Cannes Film Festival

Sarah Gill

Meet the winners of the IMAGE PwC Businesswoman of the Year Awards 2026
Meet the winners of the IMAGE PwC Businesswoman of the Year Awards 2026

Leonie Corcoran

WIN a Casamigos cocktail kit to celebrate World Paloma Day in style
WIN a Casamigos cocktail kit to celebrate World Paloma Day in style

IMAGE

Kwanele Nomoyi: A week in my wardrobe
Kwanele Nomoyi: A week in my wardrobe

Edaein OConnell

Real Weddings: Jacqui and Seamus tie the knot at Gloster House, Birr
Real Weddings: Jacqui and Seamus tie the knot at Gloster House, Birr

IMAGE

Page Turners: ‘Dirtpickers’ author Edie May Hand
Page Turners: ‘Dirtpickers’ author Edie May Hand

Sarah Gill

Shaping the future of Irish women’s rugby in Ireland
Shaping the future of Irish women’s rugby in Ireland

IMAGE

WIN a Dragon Diffusion handbag worth €420
WIN a Dragon Diffusion handbag worth €420

IMAGE

The bridal weekend wardrobe edit: Everything but the dress
The bridal weekend wardrobe edit: Everything but the dress

IMAGE

Great Irish Road Trips: Slieve Bloom Mountains Scenic Drive
Great Irish Road Trips: Slieve Bloom Mountains Scenic Drive

IMAGE

Image / Editorial

Helen Fielding says Bridget Jones’ Diary would not have been made now


By Jennifer McShane
06th Jul 2020
Helen Fielding says Bridget Jones’ Diary would not have been made now

Bridget Jones creator Helen Fielding says the original film wouldn’t have been made now – despite the film being based on instances from her own life


The author said she was “staggered” after a recent re-watch of Bridget Jones’s Diary due to the amount of sexism throughout.

Fielding said it was the first time she had seen the 2001 Renée Zellweger film (adapted from her novel of the same name) “in years and years”, and was surprised by its content, stating: “You couldn’t write that now.”

“I took my kids to see a screening of the movie. I hadn’t seen it for years and years, and I was staggered,” she said on Desert Island Discs.

Fielding says what seemed of the time when she originally co-wrote the screenplay (with Richard Curtis and Andrew Davies), was a different story decades later.

“The level of sexism that Bridget was dealing with, the hand on the bum in so many of the scenes,” she says, made “quite shocking for me to see how things have changed since then,” adding that she was particularly struck by a scene in which Bridget’s fictional boss demands “a shot of the boobs”.

She remains happy that Bridget never stays a passive victim.

“In the end, she [Bridget, played by Renee Zellweger] turned around and stuck it to them. But it was just part and parcel of her life, and it was quite shocking for me to see how things have changed since then.”

The single woman

She said she remains happy that Bridget is still so well received but says much of its success stems from the fact that “most comedy comes out of quite dark things.”

“And it was hard then to be a single woman – and it still is I think.”

Fielding added that the feminist criticism of her apparent “defeatist view of womanhood,” bothered her but explained that her heroine was always conflicted.

“That Bridget ends with a happy and romantic ending … was a bit of a red herring because Bridget does not straightforwardly just want a man,” Fielding explained.

“Having said that, I did deliberately put the line in Bridget Jones ‘There is nothing so unattractive to a man as strident feminism’, in the knowledge that it might annoy some people.

“At the time, Bridget said being a feminist with a capital F was another thing that she felt she wasn’t very good at. What’s great now is that feminism has sort of lost its capital F.”


Read more: Does silence lead to success? How ‘The Assistant’ unveils the cold reality of office sexism

Read more: Internalised sexism: how to spot it and how to undo it