March Guide: 10 events happening around Ireland this month
March Guide: 10 events happening around Ireland this month

Edaein OConnell

These four non-surgical treatments will transform your skin
These four non-surgical treatments will transform your skin

Edaein OConnell

Nicole Kidman stars in Scarpetta – here’s what to watch this week
Nicole Kidman stars in Scarpetta – here’s what to watch this week

Edaein OConnell

WIN the full Max Benjamin candle collection worth €300
WIN the full Max Benjamin candle collection worth €300

Jennifer McShane

Win two tickets to IMAGE x Sculpted by Aimee’s beauty event
Win two tickets to IMAGE x Sculpted by Aimee’s beauty event

Shayna Healy

19 pieces to inspire a spring clean
19 pieces to inspire a spring clean

Megan Burns

Conor Gadd of the newly-opened Burro in Covent Garden shares his life in food
Conor Gadd of the newly-opened Burro in Covent Garden shares his life in food

Sarah Gill

Women in Sport: First female president of GAA Rounders Paula Doherty
Women in Sport: First female president of GAA Rounders Paula Doherty

Sarah Gill

WIN a €150 Brown Thomas voucher thanks to Magnum
WIN a €150 Brown Thomas voucher thanks to Magnum

Edaein OConnell

An expert guide to why your business struggles to turn change into results
An expert guide to why your business struggles to turn change into results

Fiona Alston

Image / Self / Parenthood
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SELF

The eroticisation of pregnancy and motherhood


by Kate Demolder
11th Apr 2022

Annie Leibovitz Vogue photoshoot. Source: Instagram

Demi Moore’s ‘Vanity Fair’ pregnancy cover flipped the the old virginal myth, showcasing that women can still be considered sexual objects when they’re mothers. Since then, pregnant women are deemed the last untapped market and the advertising world is telling women you can and should look sexually desirable. But who benefits from this narrative and are photographs from Rihanna and others helping or hindering women?

It all started with Demi Moore. The year was 1991 and the then-28-year-old actress, fresh from the success of her romantic megahit Ghost, found herself on the cover of Vanity Fair. The film, anyone will tell you, was shot throughout Moore’s period of pregnancy. The photographs, taken by Annie Leibovitz, emphasise this, covering a multitude. Her short, raven crop cuts just above her soaring cheekbones, her hazel eyes piercing through the camera’s gaze. She is,...

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