Join us for our event on Maximising Your Longevity
Join us for our event on Maximising Your Longevity

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Bressie to perform at the IMAGE PwC Businesswoman of the Year Awards
Bressie to perform at the IMAGE PwC Businesswoman of the Year Awards

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This Dublin 4 mews has been transformed into a serene, streamlined space
This Dublin 4 mews has been transformed into a serene, streamlined space

Megan Burns

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Why am I always tired and bloated? A nutrition expert explains what’s going on

Jennifer McShane

Grand Tour: Our favourite road trip stops in scenic Kerry
Grand Tour: Our favourite road trip stops in scenic Kerry

Megan Burns

Looking back at Maeve Binchy’s exclusive short story for IMAGE from 1992
Looking back at Maeve Binchy’s exclusive short story for IMAGE from 1992

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This earthy-toned, minimalist Killiney home is welcoming and restful
This earthy-toned, minimalist Killiney home is welcoming and restful

Nathalie Marquez Courtney

Meet the fourth-generation designer whose London-based label just landed in Arnotts
Meet the fourth-generation designer whose London-based label just landed in Arnotts

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SAOIRSE: ‘I have faith that the government will see the positives that nightlife can bring to a city’
SAOIRSE: ‘I have faith that the government will see the positives that nightlife can bring...

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The new Irish kitchen: designing a space that feels calmer, softer and more concealed
The new Irish kitchen: designing a space that feels calmer, softer and more concealed

Megan Burns

Image / Editorial

What Maisie Knew


By Bill O'Sullivan
02nd Sep 2013
What Maisie Knew

What Maisie Knew has the difficult task of capturing the disintegration of the family unit as seen through the eyes of the child at the centre of it. Julianne Moore uncharacteristically plays a dislikable character in the figure of the mother – a semi washed-up rockstar who alternately love-bombs and neglects her daughter, abandoning her at a bar late at night to then buy her an electric guitar at the following encounter.

maisieThe father, played by a surprising Steve Coogan, is possibly an even less redeeming character, caught between the inability to connect with his child and the reality of being too self-involved to do so. Filmed from Maisie’s perspective, played by the precociously talented child-actor Onata Aprile, it captures the readjustments that are commonplace in a relationship breakdown, but that assume heart-breaking magnitude when seen through the eyes of the child. The film is based on the Henry James novel, from which it lifts its central trope, revolving the action around an omniscient but silent party, who understands and yet does not communicate the complexity of what she is witnessing. Whilst it gives the Hollywood treatment to James’s nuanced and sinister story, it’s a clever and beautiful movie with flawless central performances.

Roisin Agnew @Roxeenna