March Guide: 10 events happening around Ireland this month
March Guide: 10 events happening around Ireland this month

Edaein OConnell

These four non-surgical treatments will transform your skin
These four non-surgical treatments will transform your skin

Edaein OConnell

Nicole Kidman stars in Scarpetta – here’s what to watch this week
Nicole Kidman stars in Scarpetta – here’s what to watch this week

Edaein OConnell

WIN the full Max Benjamin candle collection worth €300
WIN the full Max Benjamin candle collection worth €300

Jennifer McShane

Win two tickets to IMAGE x Sculpted by Aimee’s beauty event
Win two tickets to IMAGE x Sculpted by Aimee’s beauty event

Shayna Healy

19 pieces to inspire a spring clean
19 pieces to inspire a spring clean

Megan Burns

Conor Gadd of the newly-opened Burro in Covent Garden shares his life in food
Conor Gadd of the newly-opened Burro in Covent Garden shares his life in food

Sarah Gill

Women in Sport: First female president of GAA Rounders Paula Doherty
Women in Sport: First female president of GAA Rounders Paula Doherty

Sarah Gill

WIN a €150 Brown Thomas voucher thanks to Magnum
WIN a €150 Brown Thomas voucher thanks to Magnum

Edaein OConnell

An expert guide to why your business struggles to turn change into results
An expert guide to why your business struggles to turn change into results

Fiona Alston

Image / Editorial

Andrea Horan on her three Fs – feminism, femininity and fun


By IMAGE
08th Mar 2023
Andrea Horan on her three Fs – feminism, femininity and fun

Andrea Horan is an activist, the founder of kitsch Dublin nail bar Tropical Popical and a passionate advocate of the three Fs – feminism, femininity and fun.

I’ve never been a follower of fashion or trends. Instead, I’ve always had an eye for the extravagant and the alternative, and for this reason, I’m happier sitting on the outskirts of the mainstream. When I opened Tropical Popical, I never felt under pressure to try and appeal to everyone. I was happy for us to find the people who loved our vibe rather than dilute it for a wider audience.

My style suggests that comfort and glamour can live harmoniously.

When I dress in the morning, I’m ready for work, dating, partying and anything else the day throws at me. What I wear has to be comfortable, and smart enough to project authority, but always with what I consider a sexy edge.

The pieces I wear are quite basic; the vibrancy comes most from my accessories. In the past, when I’ve gone through difficult times, I’ve put on weight. My size wasn’t catered for then, so I had to get creative with accessories to continue to communicate who I was through what I wore – my personality hadn’t changed, just my size. I can shop standard sizes now, but am I more deserving of beautiful clothes simply because my body is smaller?

Am I more deserving of beautiful clothes simply because my body is smaller?

Getting dressed is not and should not be a moral issue. I don’t shop very often; I’ve owned most of the pieces in my wardrobe for years. I’m not a hoarder, though. I only buy items I love and rarely throw anything out. My wardrobe is a hotch-potch of pieces that I rehash in different ways. Each item takes on a totally new lease of life depending on what I pair it with. My style icons are Joan Collins in Dynasty and Elektra in the BBC drama Pose because they are power looks that celebrate femininity. Too often, women are asked to sacrifice femininity for what is perceived as strength. Each of these women projects strength, but celebrates the power of softness and vulnerability too.

Too often, women are asked to sacrifice femininity for what is perceived as strength.

This is what I aim for when I get dressed – strength, kindness and empathy. I love the political statements Natalie B Coleman and Richard Malone make in their collections and the vibrant prints and inclusiveness of Helen Steele’s designs. It’s always good to remember, though, that while fashion is art, a thing of empowerment and a bringer of joy, at the end of the day, we’re talking about clothes.

Portrait by Doreen Kilfeather. This article originally appeared in the June 2019 issue of IMAGE Magazine.