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When starting work with a client, an architect will usually try to get a sense of their personal style.
Pictures saved from magazines or social media can give a good idea of what they like. When your client is a film director, however, you can go a little further.
Interior architect Clíona Dempsey was chatting with John Butler early on in the process of renovating his apartment, when she says her attention was caught by a beautiful photograph on his wall. “He explained it was a still from his film Papi Chulo,” Clíona says. “He said, ‘If you want to know about my design aesthetic, that film is like a celluloid storyboard of it.’”
So Clíona sat down to watch the movie, set in Los Angeles, the embodiment of John’s taste: “That was a moment where I thought, ‘I get this guy, and I love his style.’ That was a real springboard for me.”
The result is a cohesive, considered home that flows seamlessly, while nods to John’s LA style and the building’s seventies provenance set the tone.
A wall of fitted birch plywood provides a clean line through the main living space. It appears to snake through the apartment like one continuous piece of furniture, as the material is used for other details like doors, panels and windowsills. The existing wall undulated because of details like the chimney breast and alcoves, so Clíona brought the whole thing out to one point to create what she calls a “working wall”.
A plaster wall between the corridor and kitchen was replaced with two brick walls with a worktop and open shelves between them, defining the kitchen zone without making it feel closed off. These simple materials were partly chosen as the budget for the project was modest, Clíona explains, but it was important to both her and John not to skimp on the details.
“For the lights, we chose classic globe shapes in a seventies style. The size of the space means we didn’t need lots of them, so they’re very nice quality.” The same approach was taken with the brass Buster + Punch door handles. “You really do see the details in a smaller space,” Clíona says, “especially with a pared-back style. It just made sense to get nice fixtures, and John and I really did see eye-to-eye on things like that.”
It’s an attitude that reflects their shared enthusiasm for this space. While some may consider apartments transitory, there’s no reason they should be. As John points out: “It’s a small apartment and my favourite thing about it is that, to me, it represents a way of life. Houses are heteronormative. I don’t have a family, so who needs lots of empty rooms to walk into?
I think Clíona and I found great inspiration in what others might consider a limitation.” For her part, Clíona says she loved designing an apartment again. Having worked for eight years in Sydney, where apartments are much more popular, she has a love for these smaller spaces. “I have missed them since I came home. Apartments are so rare in Ireland, and people aren’t doing them up in the same way.” Older apartments especially, she says, have great potential for renovation.
“They’re substantial and well built, with lovely generosity in them. Most Irish people think of apartments as accommodation for students or limited to twenty-something living. It’s a shame, because people on the continent and in so many other countries live in them so well.”
This project proves exactly that, showing that when these spaces are designed with intent, not only can they function well, but they can also be imbued with a sense of style that is very much of their owner: a little oasis with an LA vibe.
Photography: Ruth Maria Murphy
This feature originally appeared in the Autumn/Winter 2022 issue of IMAGE Interiors.