What you think parenting is like versus what it is actually like
What you think parenting is like versus what it is actually like

Amanda Cassidy

It may appear tiny from the front, but this Ballsbridge cottage on the market for €750,000 is surprisingly spacious
It may appear tiny from the front, but this Ballsbridge cottage on the market for...

Megan Burns

How to give your home a wellness makeover (without spending a fortune)
How to give your home a wellness makeover (without spending a fortune)

Amanda Cassidy

Does disordered eating fuel our consumption of ‘What I Eat in a Day’ videos?
Does disordered eating fuel our consumption of ‘What I Eat in a Day’ videos?

IMAGE

Irish designer Jonathan Anderson named among TIME’s people of the year
Irish designer Jonathan Anderson named among TIME’s people of the year

Sarah Gill

Do you know what the pill is actually doing to your body?
Do you know what the pill is actually doing to your body?

Sophie Morris

This Clontarf home has been transformed with a spacious extension full of delicately dappled light
This Clontarf home has been transformed with a spacious extension full of delicately dappled light

Megan Burns

New life has been breathed into this Victorian Portobello home thanks to a revamp that’s full of personality
New life has been breathed into this Victorian Portobello home thanks to a revamp that’s...

Megan Burns

Supper Club: Grilled Caesar salad with chickpea croutons
Supper Club: Grilled Caesar salad with chickpea croutons

Meg Walker

Outdoor table and chairs sets to order now for summer
Outdoor table and chairs sets to order now for summer

Megan Burns

Image / Editorial

Richard Mosse


By Bill O'Sullivan
05th Feb 2014
Richard Mosse

Richard Mosse was something of the 2013 child wonder after representing Ireland at the Venice Biennale with The Enclave. It’s now on show for the first time in Ireland at the RHA til March 12th. The collection of near-iconic images were taken in 2012 by Mosse and his colleagues Ben Frost and Trevor Tweeten, who infiltrated rebel groups in the war-torn Democratic Republic of Congo. Ravaged by conflict and pervasive violence, Mosse uses his subject to try to reimagine war photography. richard-mosse-infra-series-3Using a discontinued infrared film originally used on camouflage, Mosse’s photographs offset landscape and people in brilliant pinks, magentas and lilacs. War-torn Congo here seems an imagined land of distant and unworldly violence whose poetry soaks through the lens in ultraviolet colour.

Roisin Agnew @Roxeenna