‘There is such unrest in the world now, I think it’s important to start helping where we can’
‘There is such unrest in the world now, I think it’s important to start helping...

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A family mediator breaks down the financial jeopardy of divorce
A family mediator breaks down the financial jeopardy of divorce

Michelle Browne

This sprawling Foxrock home is on the market for €6.75 million
This sprawling Foxrock home is on the market for €6.75 million

Sarah Finnan

This Sandymount home is full of rich colour and clever storage solutions
This Sandymount home is full of rich colour and clever storage solutions

Megan Burns

9 great events happening around Ireland this weekend
9 great events happening around Ireland this weekend

Sarah Gill

Strategies to tackle workplace energy slumps
Strategies to tackle workplace energy slumps

Victoria Stokes

Why don’t women see themselves as leaders, even when they are?
Why don’t women see themselves as leaders, even when they are?

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Social Pictures: The 39th Cúirt International Festival of Literature launch
Social Pictures: The 39th Cúirt International Festival of Literature launch

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‘There’s a claustrophobia within a love sustained by friendship and respect’
‘There’s a claustrophobia within a love sustained by friendship and respect’

Sarah Gill

My Life in Culture: Media and Communication Studies lecturer Dr. Susan Liddy
My Life in Culture: Media and Communication Studies lecturer Dr. Susan Liddy

Sarah Finnan

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IMMA Opening


By IMAGE
24th Jun 2013
IMMA Opening

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The Gaze, These Days…

To celebrate the Irish Museum of Modern Art’s (IMMA) newest exhibition, Cloud Illusions I Recall, we joined the art crowd in the New Galleries out at Kilmainham. The show looks at how the cinematic eye has changed artistic expression and the viewer’s perspective. It is an easily enjoyed show featuring a principal Ed Ruscha piece, a collection of Peter Doig’s ?Studio Film Club? posters, delicate portraits from the 1860s by Lady Clementine Hawarden hung alongside a small Cindy Sherman that will surely draw the crowds and a screening of Michael Powel’s emotionally framed and technically skilled classic film?The Red Shoes. When the opening wrapped we all headed off to The Oak to discuss matters over a pint or two.

Georgia Corcoran